Wake up as you’re leaving
Pour myself a cup
Then I put it in the microwave
Cause it’s never warm enough
Hear the rain on my window
As my neighbor starts his truck
Watch him give the their backpacks
And point them towards the bus
It’s dark when I head out
It’s dark when I get done
We’ve got three months
Until we see the sun
Ran into your sister
At the store the other day
Said I heard your dad’s been sick
I sure hope that he’s okay
We talked about some old friends
We used to see most days
How some turned hard against the world
And some others moved away
It was dark when we got started
It was dark when we got done
We’ve got three months
Until we see the sun
I heard the song you sang me
When you thought I was asleep
I don’t sleep much these nights
But it sure felt like a dream
You took my hand, we floated
Out the window, into the night
Well it turns out space is colder
So we headed back inside
It was dark when we woke up
It was dark when we got home
You gotta make your own light
Just keep on holding on
We’ve got three months
Until we see the sun
Lost track of these guys for a couple years, then saw the Tiny Desk concert come up in my feed. I've had the album on loop on Spotify since Friday.
This song in particular has been stuck in my head all afternoon. quiksilv26
God I'm so glad there's organisations like NPR Tiny Desk, Audiotree, and chief among them all KEXP, to carry the torch of live studio sessions like the John Peel / BBC radio sessions of yesteryear. Hell, KEXP's sessions have themselves been going for a couple odd decades already, so good on them for continually showcasing fresh and upcoming talent.
I ***REALLY*** wish more full sessions would be commercially released, but if that's left to the bands themselves, then that's more than fair enough Xtra Happy
Charming indie pop debut from Seattle's Flying Fish Cove pairs vivid tones with rainbow-hued lyrical expressions of love and loss. Bandcamp New & Notable Mar 22, 2019
Like so many others, this came like a bolt out of the blue and, even though it's well before payday, I had to have this astonishing album on vinyl to prove it exists. The feel of the tunes makes me feel like the Impressions do, Curtis Mayfield, the big spaces and instinctive horns and stuff drifting in and out. Great grooves and I can see lots of ghosts nodding along to this with big smiles on their faces. At last! Anthony Cottrell